In the not-so-distant future, an epidemic of organ failures devastates the plant. Out of the tragedy. a savior emerges: GENECO, a biotech company that offers organ transplants....for a price. Those who miss their payments are scheduled for repossession and hunted by villainous ORGAN REPO MEN.In a future where surgery addicts are hooked on painkilling drugs and murder is sanctioned by law, a sheltered young girl searches for information about her family's mysterious past and the cure to her own rare disease. After being sucked into the haunting world of GeneCo's GENETIC OPERA, she won't turn back until she finds what she's looking for.

A teen's premonition of a deadly race-car crash spares his life and those of few lucky others, but death continues to stalk them.

A fragile, anxious boy, 12-year-old Oskar is regularly bullied by his stronger classmates but never strikes back. The lonely boy's wish for a friend seems to come true when he meets Eli, also 12, who moves in next door to him with her father. A pale, serious young girl, she only comes out at night and doesn't seem affected by the freezing temperatures.Coinciding with Eli's arrival is a series of inexplicable disappearances and murders. One man is found tied to a tree, another frozen in the lake, a woman bitten in the neck. Blood seems to be the common denominator--and for an introverted boy like Oskar, who is fascinated by gruesome stories, it doesn't take long before he figures out that Eli is a vampire. But by now a subtle romance has blossomed between Oskar and Eli, and she gives him the strength to fight back against his aggressors. Oskar becomes increasingly aware of the tragic, inhuman dimension of Eli's plight, but cannot bring himself to forsake her. Frozen forever in a twelve-year-old's body, with all the burgeoning feelings and confused emotions of a young adolescent, Eli knows that she can only continue to live if she keeps on moving. But when Oskar faces his darkest hour, Eli returns to defend him the only way she can.

Prolific director John Carpenter takes on the vampire genre in his action-horror film VAMPIRES. Bitter, tough-as-nails vampire hunter Jack Crow (James Woods) leads a specialized team, funded by no less than the Vatican, that is dedicated to destroying the race of vampires that inhabit the earth. The team is successful, and becomes lazy in its success, eventually falling victim to an elaborate ambush set up by a powerful master vampire. Crow and two others of his team are the only survivors, and are determined to get revenge for the massacre. Carpenter takes the genre to new heights with powerful action scenes, nifty vampire-killing weapons and great special effects. James Woods is wonderfully over the top as the head vampire hunter who has no love for the Vatican and a mysterious past that is never far behind him. VAMPIRES is based on the book by John Steakley, adapted for the screen by Don Jakoby. The score is creepy and powerful, a typical characteristic for a Carpenter film.