A grisly murder perpetrated by a deranged killer, Jake Johnson's wife and daughter were murdered by a Psychotic vigilante only known as The Laughing Mask. As the police look for clues and the body count begins to rise, Johnson will play a dangerous game in order to avenge his family' death.
A young married couple who are pregnant with their first child moves into their turn-of-the-century home where they discover that a great evil has resided there for nearly a century, unleashed by a previous occupant.
In JOHN CARPENTER'S THE WARD, Kristen, a beautiful but troubled young woman, finds herself bruised, cut, drugged, and held against her will in a remote ward of a Psychiatric Hospital. She is completely disoriented, with no idea why she was brought to this place and no memory of her life before being admitted. All she knows is that she isn't safe. The other patients in the ward, four equally disturbed young women, offer no answers, and Kristen quickly realizes things are not as they seem. The air is heavy with secrets, and at night, when the hospital is dark and foreboding, she hears strange and frightening sounds. It appears they are not alone. One-by-one the other girls begin to disappear and Kristen must find a way out of this hellish place before she, too, becomes a victim. As she struggles to escape, she will uncover a truth far more dangerous and horrifying than anyone could have imagined.
A family (Lena Olin as the mom, Iain Glen as the dad, and Anna Paquin as the daughter) moves to the country, only to discover that the house they've moved into has a, um, dark history that threatens them.
Francesca is a pediatrician who is dedicated to both motherhood and children, married to another physician, Pedro. Following the birth of a new child, Francesca begins to suffer from postpartum depression. Following the advice of friend and psychiatrist Jean, the couple move to a new home away from the city. But Francesca's obsession with her new baby engulfs her. Regardless of Pedro's and Jean's attempts to help her, she seems to drift dangerously close to madness. And to make matters worse, she is starting to hear and see things. Furtive figures and ghostly shadows start tormenting her. The large house in which she and her family live alone seems to hide terrible secrets. Both the cellar and the attic are locked and barred to the family, and it is from both these places that Francesca receives nocturnal visits that are slowly driving her mad.